Fatal Invention: How Science, Politics, and Big Business Re-Create Race in the Twenty-First Century by 
Relational Formations of Race: Theory, Method, and Practice by 
Racism Without Racists: Color-blind Racism and the Persistence of Racial Inequality in the United States by 
Critical Race Theory by 
Critical Race Theory in Education by 
An Indigenous Peoples' History of the United States by 
Asian/American: Historical Crossings of a Racial Frontier by 
An African American and Latinx History of the United States by 
Archives of Dispossession: Recovering the Testimonios of Mexican American Herederas, 1848–1960 by 
Everyday Injustice: Latino Professionals and Racism by 
The Color of Law: A Forgotten History of How Our Government Segregated America by 
Exploring Marx's Capital: Philosophical, Economic and Political Dimensions by 
The Politics of Inequality: A Political History of the Idea of Economic Inequality in America by 
The End of Policing by 
At the Cross: Race, Religion, and Citizenship In the Politics of the Death Penalty by 
Discipline and Punish: The Birth of the Prison by Demarginalizing the Intersection of Race and Sex: A Black Feminist Critique of Antidiscrimination Doctrine, Feminist Theory and Antiracist Politics by Kimberlé Crenshaw. University of Chicago Legal Forum, 1989, 139-168.
Race Relations in America: A Reference Guide with Primary Documents by 
Readings for Diversity and Social Justice by 
Deculturalization and the Struggle for Equality: A Brief History of the Education of Dominated Cultures in the United States by 
Dark Matters: On the Surveillance of Blackness by
In Dark Matters Simone Browne locates the conditions of blackness as a key site through which surveillance is practiced, narrated, and resisted. She shows how contemporary surveillance technologies and practices are informed by the long history of racial formation and by the methods of policing black life under slavery, such as branding, runaway slave notices, and lantern laws. Placing surveillance studies into conversation with the archive of transatlantic slavery and its afterlife, Browne draws from black feminist theory, sociology, and cultural studies to analyze texts as diverse as the methods of surveilling blackness she discusses: from the design of the eighteenth-century slave ship Brooks, Jeremy Bentham's Panopticon, and The Book of Negroes, to contemporary art, literature, biometrics, and post-9/11 airport security practices. Surveillance, Browne asserts, is both a discursive and material practice that reifies boundaries, borders, and bodies around racial lines, so much so that the surveillance of blackness has long been, and continues to be, a social and political norm.
Killing Rage by 
Why I'm No Longer Talking to White People about Race by 
